One canvas or a stage of screens. The right wall starts with your room, your viewing distance and the content you want people to see. Everything is supplied, rigged and run with Opus crew. We don't hire equipment out on its own.
Build your brief →Think of an LED wall as a canvas made from panels. The width and height decide how much of the stage it fills. They also decide whether your slides, film or monogram fit naturally.
A wide backdrop, framed sections and three separate screens do different jobs. Start with the stage drawing and the sightlines.
Pixel pitch is the gap between the LEDs. A smaller gap gives a finer image when people are close. From further back, a different pitch may do the job.
Small text needs more care than a large monogram. We check the content against the viewing distance, then confirm the panel specification.
We own over 200 square metres of LED: 2.6mm panels for crisp detail indoors and 3.9mm panels for larger rooms, stages and outdoor events.
A controlled room lets us plan brightness, viewing angles and camera exposure together. We check ceiling height, floor loading, access and the position of the audience.
Daylight, weather and wind change the brief. The panels and support must suit the conditions. Power, ballast, protection and the site plan all belong in the quote.
A wall is a production system. These are the parts that shape the quote, before any price is agreed.
More canvas means more panels, support and handling.
The panel specification affects the picture and the equipment needed.
Existing artwork, a custom monogram and a programme of motion graphics are different briefs.
Inputs, screen mapping, playback and camera feeds decide the control system.
Floor support and suspended builds need different engineering and venue permissions.
Access, installation, testing, operation and de-rig determine the crew plan.
Design to the wall’s proportions. A monogram should sit comfortably behind the couple and carry through to the booth facade.
Slides, speaker names and launch content need consistent safe areas. We agree the canvas before the presentation files arrive.
Start with the room, the audience sightlines and the content. We draw the wall against the stage and check whether the person at the back can read what matters.
Pixel pitch is the distance between the LEDs. A smaller pitch generally gives a finer image at closer viewing distances. We match it to the audience position and the content, then confirm the available panel specification.
An indoor panel should not be treated as weatherproof. An outdoor build needs suitable panels, a safe support system, weather planning and the right power distribution.
We can plan content for the LED canvas. Share your artwork or brand assets early so the proportions, colours and playback can be checked before the event.
The quote should set out the wall size, panel specification, processing, support or rigging, installation and crew. Content work and camera feeds should be agreed separately so the whole job is clear.
Tell us the room, the date and the look. Rishi will take it from there.
