Conferences & AGMs
Speech reinforcement, presentation playback and cameras. A clear view of the speaker, the slides and the questions from the floor.

Clear speech. The right picture. Every cue called. Production for the room, the people in it and the people watching remotely.
Build your brief →High-end production, engineered properly. The programme decides the rig, and the rig supports the programme.
Speech reinforcement, presentation playback and cameras. A clear view of the speaker, the slides and the questions from the floor.
A stage with presence, lighting for dinner and walk-up cues that land with the presenter.
LED content, lighting and staging built around what you are introducing. Agree the reveal before choosing the effects.
Production planned around weather, site power, rigging and public access. The site survey comes first.
An illustrative sequence. We turn your running order into a cue sheet that the presenter, floor crew and show caller share.
Walk-in music. Registration screens live. Speech microphones checked before doors.
House down to the agreed level. Opening content rolls. Presenter microphone live.
Slides on LED. JVC PTZ camera on the speaker. Confidence monitor carries the next slide.
Panel microphones live. Floor crew move roving mics to each question. Show caller holds the next cue.
Presenter cue. Walk-up music. Name and award content to screen. Camera finds the stage.
Speech channels held ready. Warm room wash. Music at the agreed dinner level.
A single cue vocabulary for sound, light, video and the stage. Rehearse the transitions, then call them live.

JVC 4K PTZ cameras bring the speaker to the screens. Camera positions are agreed against the room’s sightlines.

A camera and programme feed for remote viewers, with connectivity and the streaming destination agreed in advance.
A view of slides and prompts for the presenter, placed to suit the lectern and stage layout.
One screen or a wider canvas. We fit the content to the wall before the programme starts.
A stage drawing that accounts for entrances, furniture, camera angles and the way presenters move.
Tell us your venue’s submission dates. We will agree the drawings and documentation needed for the production.
A few of the organisations and venues we have produced events for.
Send the date, the venue and the running order. We will build the production around them.